Yes! Another puppet post! This one is about a TV show that debuted in 1961 called Supercar. Supercar was produced by Gerry Anderson who, with his team of puppeteers and model builders, would later create Thunderbirds. Like Thunderbirds (1964) and Four Feather Falls (1960), Supercar utilized Anderson’s signature “Supermarionation”.
Supermarionation used marionettes suspended and controlled by thin wires. The fine metal filaments doubled as both suspension-control wires for puppet movement, and as electrical cables that took the control signals to the electronic components concealed in the marionettes’ heads. The heads contained solenoid motors that created the synchronised mouth movements for dialog and other functions. The voice synchronisation was achieved by using a specially designed audio filter which was actuated by the signal from the pre-recorded tapes of the voice actors; this filter would convert the signal into a series of pulses which then travelled down the wire to the solenoids controlling the puppet’s lips, creating lip movements that were precisely synchronised with the dialogue.
The one flaw in the system was that its simulation of walking was rather ridiculous looking. This weakness was likely the inspiration for a show where the hero spent most of his time sitting in a car. The hero is pilot Mike Mercury who lives in a secret base in Nevada with two scientists (Prof. Popkiss and Dr. Beaker), an orphan boy (Jimmy Gibson) and a weird monkey-like creature named Mitch.
The show aired on ITV in the UK and was syndicated to local channels in the US. The show spawned a comic strip in the British magazine TV Comics that outlasted the show itself by two years. In the US Gold Key published a Supercar comic book that lasted four issues.
Here is episode one (in two parts) in which Mike and the Supercar rescue young Jimmy and his monkey Mitch. Even if you’re not inclined to watch the entire episode be sure to, at least, treat yourself to the opening titles and the theme song sung by Mike Sammes.