The August, 1961 cover of Analog Science Fact-Fiction featured cover art by John Schoenherr. His painting features a six-legged rhinoceros-like creature adapted to survival on a high-gravity planet. Depicting aliens whose morphology fit their ecology was a specialty of Schoenherr’s. His freelance work for the Bronx Zoo in the early 1960s must have provided excellent training for designing alien creatures like the ones in this painting.
The cover of Amazing Stories that month featured cover art by the great Ed Emshwiller for a John Jakes story called “The Highest Form of Life”. Despite the gadgetry, the most intriguing feature of this painting is the expression on the face of the dolphin in the foreground; is it a display of benevolence of malice?
The cover of Galaxy Science Fiction that month also featured a painting by Ed Emshwiller. I’m not sure if this illustration is meant to depict a scene from any of the stories within, however, it is a neatly subdued representation of the “damsel abducted by a monster” theme that was slowly fading from favor in the more “serious” science fiction magazines.
Illustrator Mel Hunter‘s trademark was the “lonely robot”. This skeletal automaton was often depicted in scenes of postapocalyptic desolation or cosmic isolation. A sketch of the little robot usually accompanied the autographs Hunter signed for fans. I’m not sure of the story context for the August, 1961 cover of The Magazine of Fantasy and Science Fiction but it must have been with some bemusement and even a little hope that Hunter placed his creation in a museum of modern art.
On the other side of the Atlantic New Worlds Science Fiction featured cover art by comic strip artist Sydney Jordan. The cover depicts a robot mourning the death of his creator, a theme used many times before and since in literature and film. Jordan drew a daily science fiction adventure strip called Jeff Hawke from 1955 to 1974. I can’t think of a better way to conclude today’s post than with a Jeff Hawke strip from August 1961: